2026 read #39: Dinosaur Sanctuary: Volume 8 by Itaru Kinoshita.

Dinosaur Sanctuary: Volume 8 by Itaru Kinoshita

Research consultant: Shin-ichi Fujiwara

Translated by John Neal

193 pages

Published 2025 (English translation published 2026)

Read from July 30 to July 31

Rating: 3ish out of 5

Every six to ten months, it seems, I pick up a fresh installment of Dinosaur Sanctuary and have to reckon up how much the world, and in this case my private life, has deteriorated since the last volume. This time, in addition to the political and economic realities of the failing capitalist system in its far-right death throes, as of last week I’m newly out of a brief but intense relationship that failed precisely when it should have been hitting its stride. I had to break it off with him right after our first joyous visit. I’m reading this while fucking bummed.

All of this will be interesting to see scraped up in whatever MLM summary you might read about this series later. Fuck you specifically, person who uses the slop machine to read for you.

Anyway. As has become the norm in recent installments, the light workplace drama of Dinosaur Sanctuary overshadows its potential as dinosaur fiction. We spend more time with quarterly earnings reports, marketing strategies, and corporate synergies than we do with dinosaurs. I’m not invested in Enoshima Dinoland as a fictional entity, and the characters are too one-dimensional for me to care about them.

Sometimes I wonder why I bother keeping up with this series, but then we get storylines like Momo the constipated Camarasaurus, which remind me just a bit of the best parts of Dinosaur Summer. And then I conclude, sighing through my anhedonia, that maybe it’s worth coming back to Enoshima each time.

2026 read #19: Witch Hat Atelier: Volume 14 by Kamome Shirahama.

Witch Hat Atelier: Volume 14 by Kamome Shirahama

Translated by Stephen Kohler

172 pages

Published 2025 (English translation published 2026)

Read from March 17 to March 18

Rating: 4 out of 5

Just like I said the last time I read an installment of Witch Hat Atelier, it’s been a hell of a bad ride since then. Only worse this time, what with World War III and everything.

This time, it’s been well over a year between volumes. As it should be, really—the manga industry enforces an exploitative and punishing schedule that degrades the quality of work in addition to burning out artists. I’m glad Shirahama has more time to craft her story, and her art, than the manga machine tends to permit. The line art and composition in Atelier remains exceptional and ambitious.

As a reader, though, it’s difficult to get back into the story after all this time away (and all the trauma we’ve had to live through these last fourteen months). A tertiary character’s heel turn lacks impact when I can’t remember who he is. The story doesn’t progress all that much, either. We get a ton of gorgeous, flowing art, but we end this volume basically where it began: attempting to defend the people of the city from the massive valence leech released I don’t know how many chapters ago.

Still, the art is absolutely wonderful. And we end on a lovely emotional beat between main character Coco and my personal favorite / self-insert, Agott. So I guess I’ll be generous with my grade, and I guess I’m still invested enough that I’ll wait however long for Volume 15.

2025 read #74: Dinosaur Sanctuary: Volume 7 by Itaru Kinoshita.

Dinosaur Sanctuary: Volume 7 by Itaru Kinoshita

Research consultant: Shin-ichi Fujiwara

Translated by John Neal

193 pages

Published 2025 (English translation published 2025)

Read September 30

Rating: 3 out of 5

Goddamn, but it’s been a tumultuous six months since I read the previous volume of Dinosaur Sanctuary.

This time around, I’m keeping my expectations low. Sanctuary is light workplace drama first, dinosaur fiction a distant second. That’s as true as ever in this installment. Still, we do get some good dino zookeeper interactions, like when Suzume has difficulties feeding a blind Deinonychus named Trom, or when she has an unexpectedly busy day in the Psittacosaurus petting zoo.

I haven’t quite located the sense of charm I felt in the early volumes, but odds are that’s the fault of the world we live in right now. I had a nice time reading it all the same.

2025 read #37: Children of the Whales: Volume 8 by Abi Umeda.

Children of the Whales: Volume 8 by Abi Umeda

Translated by JN Productions

194 pages

Published 2016 (English translation 2019)

Read from April 14 to April 15

Rating: 3 out of 5

Here we are at my library’s last volume of Children of the Whales. Mostly I’ve read this series to shamelessly bulk up my book numbers, which is something I had said I would avoid doing this year. Ah well. At least it’s been enjoyable, even if it didn’t grab me the way Delicious in Dungeon or Witch Hat Atelier did.

When Umeda’s writing hits, it’s stunning. Emotional vulnerability, the importance of community, sacrifice to preserve said community, guilt and absolution, all powerful themes.

But a lot of that graceful mood of grief gets lost under the weight of Umeda’s worldbuilding. I’m just not invested enough for flashbacks to two or three generations previously. And every volume introduces new terms and concepts. It gets to feel like noise after a while. (Though I’m sure a lot of my attitude is modern day anhedonia. I mean, just look outside. The monsters are winning.)

2025 read #36: Children of the Whales: Volume 7 by Abi Umeda.

Children of the Whales: Volume 7 by Abi Umeda

Translated by JN Productions

194 pages

Published 2016 (English translation 2018)

Read from April 12 to April 14

Rating: 3 out of 5

It’s difficult to write reviews of long-running manga when I read them back to back like this. I’m still interested enough to read through this series (or at least what my library has of it), but it’s starting to feel like background noise. (Most of that feeling is due to the state of my country, though, to be fair.)

This volume has a grab-bag quality. Each chapter is its own little standalone story, all of them contributing to an ever more elaborate tower of worldbuilding and backstory. Which is fine, I suppose, but it’s a lot of worldbuilding and backstory, so very much. The last chapter is a short story, published by itself years before, that doesn’t seem to have anything to do with Children of the Whales aside from commentary on authoritarianism and Umeda’s fixation on jesters and large women.

In case you had any doubts about the series’ overarching point of view, we hop back to the original generation of exiles on Fálaina, who prove to be rebels against the totalitarian control of a government that sucks away its people’s emotions. Said government is the ancestor of the Apátheia pursuing the Mud Whale in the story’s present day.

Maybe that’s why I keep reading this series: it serves as a gentle, emotional refutation of the sociopathy of authoritarianism.

2025 read #35: Children of the Whales: Volume 6 by Abi Umeda.

Children of the Whales: Volume 6 by Abi Umeda

Translated by JN Productions

192 pages

Published 2015 (English translation 2018)

Read April 12

Rating: 3 out of 5

After it is revealed that the nous of the Mud Whale consumes the lifespans of the marked in order to sustain itself on the sand sea, the unmarked decide to maintain the secret and steer the island toward a distant land, where perhaps they can abandon the Whale and extend the lives of those touched by magic. Along the way, this volume proceeds as a series of self-contained chapters, exploring strange locales and incidents of the voyage. But discontent brews among other factions on the island.

I should take a moment to praise the sumptuously detailed artwork Umeda uses to portray the use of magic or the empathic visions her characters experience. It’s absolutely gorgeous.

2025 read #34: Children of the Whales: Volume 5 by Abi Umeda.

Children of the Whales: Volume 5 by Abi Umeda

Translated by JN Productions

194 pages

Published 2015 (English translation 2018)

Read from April 11 to April 12

Rating: 3 out of 5

After the bloodshed, grief, and pathos of Volume 4, Volume 5 opens with a wacky episode of comic relief, as Sir Rochalízo, the first non-hostile outsider the people of the Mud Whale have ever seen, happens to arrive at bath time, and the mayor greets him in the buff. It’s giving beach episode.

Rochalízo ends up being a colonial-minded dickhead. But his presence inadvertently creates a significant change for the inhabitants of Fálaina, as the Mud Whale reveals the ability to steer itself. We also learn why the Whale’s marked — the people able to use the magic called thymia— die so young.

After the chaotic action of the last installment, it was nice to have more of a low-stakes hangout vibe. I still don’t know how deep I will read into the series, but for now, it’s an enjoyable way to pad out my book numbers.

2025 read #33: Children of the Whales: Volume 4 by Abi Umeda.

Children of the Whales: Volume 4 by Abi Umeda

Translated by JN Productions

193 pages

Published 2015 (English translation 2018)

Read April 11

Rating: 3 out of 5

It’s been about a month since I read Volume 3. Clearly that was enough time to leave me almost entirely lost when I picked up this installment. Umeda swerves between perspectives in a bloody action sequence as the apátheia, or harlequin soldiers, continue to raid the Mud Whale. Exposition gets doled out mid-battle. It’s difficult to make sense of it all.

The main vibe is one of intense, sometimes melodramatic emotion. Pretty much every character either dies in horrific, pointless violence, or survives to weep about them in the aftermath. It makes sense thematically. The central conflict is between the residents of the Mud Whale, who are free to feel their emotions, and the emotionally-drained apátheia, who view them with mingled disdain and disgust. The heightened emotional stakes are thus central to the story being told.

One could read any number of allegorical interpretations into this; in the contemporary world, it’s tempting to see it as empathetic, compassionate people hounded to the ends of the earth by the sociopathic adherents of patriarchal capitalism.

I think I’ll enjoy this series more if I read them closer together, and can keep better track of who any of these people are. I have four more volumes checked out from the library that I’ll likely use to pad out my reading numbers for this month. After that, our library doesn’t stock any of them, and I’m not sure if I’ll continue the series. It’s long, much longer than any other manga I’ve read.

2025 read #27: Dinosaur Sanctuary: Volume 6 by Itaru Kinoshita.

Dinosaur Sanctuary: Volume 6 by Itaru Kinoshita

Research consultant: Shin-ichi Fujiwara

Translated by John Neal

194 pages

Published 2024 (English translation published 2025)

Read from March 18 to March 19

Rating: 3 out of 5

Last time we visited Enoshima Dinoland, I was dealing with a family crisis, and was too depressed and demoralized to appreciate dinosaur theme park escapism. Since then, my country has lurched its way into full-blown fascism, and I’m probably too depressed and demoralized now to properly enjoy dinosaur theme park escapism.

In all honesty, I think the Dinosaur Sanctuary formula might be running out of juice, six volumes in. Which is impressive, considering the Jurassic Park franchise went downhill by book/movie number two. The mix of prehistoric zookeeping and light workplace drama remains charming, but each book is just more of the same, and at this point, even I, a lifelong dinosaur fanatic, am starting to feel satiated with this particular blend.

Part of my issue is with the characters. Even with the occasional dollop of backstory, the cast remains vaguely pleasant archetypes. I don’t feel more than a superficial connection to anyone beyond, perhaps, Suzume, our reader surrogate. It’s hard to invest in workplace drama without that attachment. And this volume felt especially light on dinosaurs, which only emphasizes how shallow the characters feel without them.

2025 read #25: Children of the Whales: Volume 3 by Abi Umeda.

Children of the Whales: Volume 3 by Abi Umeda

Translated by JN Productions

192 pages

Published 2014 (English translation published 2018)

Read March 14

Rating: 3 out of 5

Back at it again with Volume 3. (Hey, I checked out the first three tankōbon from my library, might as well speed right through them.) The Mud Whale safe for now from tampering, its residents spend this installment prepping and training against the return of the apátheia, or harlequin soldiers.

As so often seems to happen in these manga series (I’m looking at you, Frieren), Whales loosens up its tone and gravitas to indulge in more generic teen tropes, such as Lykos getting mobbed by some cool-girls we’ve never seen before in order to give her a makeover. It all absolutely makes sense in context, a sort of community bonding calm-before-the-storm to establish the characters and their home more fully.

All too soon comes the renewed attack from the enemy battleship Skyros. Much of this volume’s final third comprises battle sequences. Umeda’s artistic skill carries these sections. And of course the book ends in a cliffhanger, so I guess I’ll be off to the library at some point for the next few installments.

2025 read #24: Children of the Whales: Volume 2 by Abi Umeda.

Children of the Whales: Volume 2 by Abi Umeda

Translated by JN Productions

192 pages

Published 2014 (English translation published 2018)

Read March 14

Rating: 3 out of 5

Rolling right along into Volume 2. The first tankōbon ended with a sudden massacre at the hands of some sociopathic harlequin soldiers, which certainly is a vibe. The sentimental melancholy of the first couple chapters still shows through from time to time, especially in some lovely artwork in Chapter 7, “This World Is Beautiful Because…” However, much of this volume was action, as our heroes realize the elders would rather sink the Whale than face a return of the harlequins, and must gather allies and fight there way into the bowels of the island to stop the elders.

A theme has emerged of embracing and understanding one’s own emotions, in opposition to the emotionless husks warring across the outside world. This, plus the artwork, has kept me sufficiently interested to keep going.

2025 read #23: Children of the Whales: Volume 1 by Abi Umeda.

Children of the Whales: Volume 1 by Abi Umeda

Translated by JN Productions

193 pages

Published 2013 (English translation published 2017)

Read March 14

Rating: 3.5 out of 5

Still struggling to find manga that fills the Delicious in Dungeon / Witch Hat Atelier-shaped absence in my life, I happened upon this series in my library’s collection, and decided to give it a try.

Teenage Chakuro is the archivist for the people of the Mud Whale. Their entire society of some five hundred people scrounges a living on the back of the floating (possibly living) city, drifting through a seemingly boundless sea of sand that swallows anything else on its surface. Chakuro and his fellow Marked — users of emotion-fueled magic — live brief lives, rarely living beyond 30. The longer-lived Unmarked, who cannot wield magic, comprise the society’s leaders despite being much fewer in number. But the elders know more than they let on about the world beyond the Whale.

The worldbuilding is complex, and the pacing feels a bit off as a result, though Umeda never lets the exposition completely overwhelm the story. A melancholy urgency, an awareness of short lives and sudden death, suffuses Chakuro’s narration. Umeda’s artwork is gorgeous, particularly the establishing shots of the Mud Whale and the larger world around it.

Whales is no replacement for Delicious or Atelier, but it’s intriguing enough as its own thing. 

2025 read #5: Witch Hat Atelier: Volume 13 by Kamome Shirahama.

Witch Hat Atelier: Volume 13 by Kamome Shirahama

Translated by Stephen Kohler

180 pages

Published 2024 (English translation published 2025)

Read January 16

Rating: 4 out of 5

It’s been a hell of a bad ride since I finished the previous installment of Witch Hat Atelier back in September. Fuck.

It’s an adjustment to go from splurging through the series to being all caught up and having to wait months for the next translated tankōbon. The number of characters and tangle of plot lines in Atelier makes it especially difficult. I floundered at first to recall what was going on; when a new character (Richeh’s big brother) got introduced, I was confused, concerned that I’d completely forgotten someone important.

This is a solid installment, progressing the conflict between the principles of the Pointed Caps and their desire to help people. The way forward chosen by the characters — invent new spells! — seems a bit trite, but Shirahama’s artwork is stunning as always, whirling between characters and scenes with assurance and verve.

2025 read #1: Sleepy Princess in the Demon Castle: 1 by Kagiji Kumanomata.

Sleepy Princess in the Demon Castle: 1 by Kagiji Kumanomata

Translated by Tetsuichiro Miyaki

168 pages

Published 2016 (English translation published 2018)

Read from December 31, 2024 to January 1

Rating: 2.5 out of 5

In 2024, I read 157 books, the most I’ve ever read in one year as an adult. It was also the very first year I read at least ten books each calendar month. Many, possibly most, of the books I read were quick reads: manga, magazines, novellas, poetry collections. Some might sniff at that, but a record is a record, and who cares what others think? It’s not like anyone but plagiarism bots reads these reviews anyway.

Moving into 2025, I want to read more deliberately, instead of for big numbers. I want to read less overall, to free up time for writing. So naturally the first book of 2025 is… a volume of manga.

I learned about this series thanks to an ad in the back of a volume of Frieren. I’m always open to charming high fantasy manga, especially now that I’ve finished Delicious in Dungeon and I’m all caught up with Witch Hat Atelier. Sleepy Princess looked promising, an adorable tale of a kidnapped princess who, safe and bored inside a castle of monsters, goes to great lengths to get quality sleep. As a fellow princess-and-the-pea sleeper myself, I could relate. The manga pretty much delivers on that premise, and does so adequately. The way Princess Syalis hunts through the demon castle for her various bedding needs is pleasantly reminiscent of Delicious in Dungeon, if you replace food with sleep.

Unfortunately, at least in this initial volume, Princess lacks characterization, and the princess’s nocturnal side-quests quickly become repetitive. This slim tankōbon is packed with thirteen chapters, each of which is fairly self-contained. As a result, the story is episodic, and never develops much substance. I don’t think I’m intrigued enough to continue spending money on this series.

Also discouraging any investment: the binding error in this copy (most of chapters nine and ten are replaced with repeats of chapters four and five). Bad luck, or a shoddy press? I’m not shelling out more to find out.

2024 read #139: Delicious in Dungeon: Volume 14 by Ryoko Kui.

Delicious in Dungeon: Volume 14 by Ryoko Kui

Translated by Taylor Engel

191 pages

Published 2023 (English translation published 2024)

Read November 9

Rating: 4.5 out of 5

Delicious in Dungeon: Volume 1 was the very first book I started reading after my partner R and I moved into our house, back in April. We had moved to New York in part to position ourselves for a potential return to Trumpenfascism, planning either for blue-state protections or for proximity to Canada, should that prove necessary. But as we settled here, and the Harris campaign became the can’t-possibly-miss-it choice for America’s future, those anxieties quieted. I dared to imagine a life of humble satisfaction and community joy instead of mere survival. Dungeon remained a fixture through all of that summer into fall, as I finished the first season of the anime and spaced out the manga.

I finished Dungeon in a different world, a darker and meaner and shallower world. This week, I sped through the last few volumes to wring out what comfort I could. I’ll miss it, going forward.

Volume 14 serves as a loving coda to the characters, quickly but thoroughly tying up loose ends and giving each of the central cast a lovely moment of farewell. Kui’s storytelling continues strong even in this victory lap, doling out just the right amount of closure for the characters and their story. After the unrelenting gallop of the final climax, I’m so happy Kui gave us this last little time with characters I’ll never forget.

2024 read #138: Delicious in Dungeon: Volume 13 by Ryoko Kui.

Delicious in Dungeon: Volume 13 by Ryoko Kui

Translated by Taylor Engel

175 pages

Published 2023 (English translation published 2024)

Read November 9

Rating: 4.5 out of 5

Continuing Kui’s unparalleled run with another incredible installment. Stunning art, gorgeous layouts, satisfying storytelling, thematic continuity, payoffs rooted in all the patient character work she put into this series — truly, what more could you want from the penultimate volume of this story? Absolutely wonderful.

2024 read #137: Delicious in Dungeon: Volume 12 by Ryoko Kui.

Delicious in Dungeon: Volume 12 by Ryoko Kui

Translated by Taylor Engel

239 pages

Published 2022 (English translation published 2023)

Read from November 8 to November 9

Rating: 4.5 out of 5

What began as a fun adventure with a clever hook — eating the monsters on our way through a dungeon! — has broadened and deepened into an exploration of desires, consent, grief, and what it means to be alive. Kui’s art and storytelling continue to be astonishingly dynamic, twists and developments conveyed in amazing compositions. At the heart of everything are the characters we’ve gotten attached to, even the secondary and tertiary characters from various factions, all of them drawn together in an extended climax that never feels overwhelming. And as always, the loving central emphasis on food, on cooking, on feeding one another as an act of care.

An excellent installment of a superlative manga. When I began it, I never imagined our world would be what it is here near the end, never expected the comfort I would find in these monstrous times. I’ll be so sad to reach Dungeon’s end.

2024 read #135: Delicious in Dungeon: Volume 11 by Ryoko Kui.

Delicious in Dungeon: Volume 11 by Ryoko Kui

Translated by Taylor Engel

215 pages

Published 2021 (English translation published 2022)

Read from November 6 to November 7

Rating: 4.5 out of 5

The last 36 hours have felt like two weeks. I'm exhausted, in mourning, filled with fury. I've lived through so much despair, clawed my way back to grim determination, over and over again. And hardly any time has gone by.

This is another excellent installment of Delicious in Dungeon. Kui's compositional skills are simply astonishing as we hurtle toward the climax of the Winged Lion arc, and with it, the climax of the series. We get some of the best storyboarding and artwork of the series here, and some big plot developments that are well-executed and pay off on all the character groundwork. It’s really good.

2024 read #134: Delicious in Dungeon: Volume 10 by Ryoko Kui.

Delicious in Dungeon: Volume 10 by Ryoko Kui

Translated by Taylor Engel

223 pages

Published 2021 (English translation published 2022)

Read from November 5 to November 6

Rating: 4.5 out of 5

What are we even doing here?

Joy is inherently antifascist. We have to keep taking care of ourselves. Etc. etc. All important words, but in the moment, they feel like the tritest of truisms. I don’t feel the point of anything right now. I don’t feel much of anything beyond despair, rage, grief, fear. Futility.

That’s precisely what the fashies want. So I try to keep hope (and myself) alive. They voted knowing they won’t get anything tangible out of their dear leader beyond spite for the people they hate. So I try to spite them back, by living. By finding my own joy. But it’s so difficult, and I’m so tired.

I’ve been trying to distract myself from the horrifying outcome of the election, but it’s impossible. Focusing on even my favorite manga for more than a page or two at a time is a chore. Inevitably, I find myself crying, or numb, unable to concentrate.

What the fuck are we doing here?

Look at me, I read another volume of Delicious in Dungeon. Yay. Go me.

It’s an excellent installment in an excellent series. There are dungeon bunnies and necromancy and cooking and character development and foreboding tension in the plot. There’s heartbreak and a cliffhanger. Kui exceeds even her high standards for artwork and storytelling. I cried. The book is good.

But none of this feels important anymore. Not the reading, not the blogging. I’ve always maintained this blog for me — no one else reads it, aside from the fucking plagiarism bots that scrape every word left unprotected on this dying web. I keep going because I don’t know what else to do.

I keep going, because otherwise, I stop.

2024 read #133: Delicious in Dungeon: Volume 9 by Ryoko Kui.

Delicious in Dungeon: Volume 9 by Ryoko Kui

Translated by Taylor Engel

207 pages

Published 2020 (English translation published 2021)

Read from November 4 to November 5

Rating: 4.5 out of 5

Another fucking election coming up. Time to distract myself as best I can, by checking out every single remaining volume of Delicious in Dungeon from my local library. Truly the most 2024 way I could compartmentalize my anxieties.

I had been looking forward to the succubus arc — who doesn't love a sexy monster? But in Ryoko Kui's hands, not only do we get sexy monsters, we get an astonishingly well-constructed arc with emotional stakes, ending with my favorite character moment ever for Izutsumi.

Perhaps it's just the contrast with the pretty but flat art of Tsukasa Abe in Frieren, but Kui's art is absolutely phenomenal in this volume. Her storyboarding and storytelling, too, are at their finest here. We learn more about the dungeon, and that all might not be what it seems with everything we had learned before. Top notch stuff.