Showing posts with label young adult. Show all posts
Showing posts with label young adult. Show all posts

Sunday, August 23, 2026

2026 read #42: The Thief by Megan Whalen Turner.

The Thief by Megan Whalen Turner
282 pages
Published 1996
Read from August 17 to August 23
Rating: 3 out of 5

I learned about this book while looking for fantasy novels from the 1990s. I’d never heard it mentioned elsewhere, which seems surprising for a Newberry Honored book until you remember what got published the very next year. To hell with Rowling until the end of time, but the impact Harry Potter had on the normies is both unfortunate and undeniable.

As such, it’s hard not to read The Thief as anything other than the last iteration of the YA fantasy tradition going back to The Forgotten Beasts of Eld (or perhaps even all the way to The Hobbit). No sorting into houses or love triangles or formulaic teenage chosen ones here, just an interesting world and a slightly predictable but still creative storyline.

The setting is my favorite aspect of The Thief. Whalen Turner borrows extensively from Ancient Greece but adapts it into a world of gunpowder and printed books. The story itself has highlights, but the pacing can feel wonky at times. The first half of the book is a generic travelogue fantasy. The climactic dungeon crawl to find the lost artifact falls in the middle of the book. The rest is another travelogue as our characters race to the border, only to be captured and then escape again.

Overall, I think The Thief earned its reception at the time, but I’m also not surprised by how little staying power it had, outside of Goodreads lists.

Friday, July 31, 2026

2026 read #39: Dinosaur Sanctuary: Volume 8 by Itaru Kinoshita.

Dinosaur Sanctuary: Volume 8 by Itaru Kinoshita
Research consultant: Shin-ichi Fujiwara
Translated by John Neal
193 pages
Published 2025 (English translation published 2026)
Read from July 30 to July 31
Rating: 3ish out of 5

Every six to ten months, it seems, I pick up a fresh installment of Dinosaur Sanctuary and have to reckon up how much the world, and in this case my private life, has deteriorated since the last volume. This time, in addition to the political and economic realities of the failing capitalist system in its far-right death throes, as of last week I’m newly out of a brief but intense relationship that failed precisely when it should have been hitting its stride. I had to break it off with him right after our first joyous visit. I’m reading this while fucking bummed.

All of this will be interesting to see scraped up in whatever MLM summary you might read about this series later. Fuck you specifically, person who uses the slop machine to read for you.

Anyway. As has become the norm in recent installments, the light workplace drama of Dinosaur Sanctuary overshadows its potential as dinosaur fiction. We spend more time with quarterly earnings reports, marketing strategies, and corporate synergies than we do with dinosaurs. I’m not invested in Enoshima Dinoland as a fictional entity, and the characters are too one-dimensional for me to care about them.

Sometimes I wonder why I bother keeping up with this series, but then we get storylines like Momo the constipated Camarasaurus, which remind me just a bit of the best parts of Dinosaur Summer. And then I conclude, sighing through my anhedonia, that maybe it’s worth coming back to Enoshima each time.

Monday, December 1, 2025

2025 read #91: Mislaid in Parts Half-Known by Seanan McGuire.

Mislaid in Parts Half-Known by Seanan McGuire
146 pages
Published 2023
Read December 1
Rating: 3 out of 5 (maybe 3.5?)

Way back in the day (which, thanks to the speed with which consensus reality has crumbled, here means 2022 or so), the fantasy fiction side of Twitter went into a tizzy over the cover of this installment of the Wayward Children series. A Doorway to dinosaurs! McGuire cautioned readers that dinosaurs really weren’t the focus of the story, but I’ve been excited about this entry ever since. Its cover is the entire reason I resumed reading through the series after a lapse of nearly seven years.

Mislaid continues the storylines of Lost in the Moment and Found (with Antsy now attending Eleanor West’s school, conscientiously if naively applying her talent for finding lost things) and Where the Drowned Girls Go (with Cora back at school with new friends, all of them escapees from the Whitethorn Institute). I tend to find the main School-based storyline less interesting than the more or less standalone books that establish each new character’s backstory. Lost in particular was a highpoint for the series; Mislaid feels even more like a step down in comparison.

It doesn’t help that Mislaid (and Antsy) is tasked with doling out a bunch of exposition about Doors, Worlds, and the ways they work. As a worldbuilding author myself, I’m not convinced any of this is strictly necessary. I found it interesting, but would’ve preferred a more emotionally charged storyline to the nuts and bolts of what is, essentially, how the Looking Glass operates.

And McGuire was right to caution her fans against thinking Mislaid is a dinosaur novel. I mean, it is enough of one for my purposes. But we don’t reach the dinosaur world until page 100, and we pop right out of it again just two chapters later. It’s a charming interlude, and well worth reading the series to get there. If only we’d gotten a full novel of it (instead of more banter between half a dozen main characters).

Sunday, November 23, 2025

2025 read #90: Lost in the Moment and Found by Seanan McGuire.

Lost in the Moment and Found by Seanan McGuire
146 pages
Published 2022
Read from November 21 to November 23
Rating: 4 out of 5

Oof, this one comes swinging for your heart right from the start. (Even the contents warning made me tear up, it was that sensitively written.) Today’s hero, Antsy, has to flee from home when her stepfather’s grooming and gaslighting gets to a crisis point. She ends up in a shop of lost things, joining a magpie and an ancient woman in their travels through Doors.

Antsy’s story is heartbreaking and defiant, one of the best (and most devastating) Wayward Girls stories McGuire has written. The fantasy elements map so perfectly onto the character’s personal journey and the book’s thematic elements, something I love when authors pull it off.

My main complaint is that, as is often the case in this series of novellas, there just isn’t enough room for Antsy’s tale to develop as much as I would want it to. We skip from her first day or two of adjustment to a couple years into her shopkeeper apprenticeship. Though, reluctantly, I have to admit this accelerated narration is once again thematically consistent with the peril Antsy finds herself in.

I do wish Lost hadn’t taken the time to dole out exposition for the rest of the series, and instead had been its own standalone, rather longer novel. But the story we get is one of the best in the series so far, so I won’t complain too much.

Tuesday, November 11, 2025

2025 read #85: Where the Drowned Girls Go by Seanan McGuire.

Where the Drowned Girls Go by Seanan McGuire
150 pages
Published 2021
Read from November 10 to November 11
Rating: 3.5 out of 5

I remember not enjoying the portrayal of Cora when she was introduced in Beneath the Sugar Sky. As a fat person with aspirations of athleticism myself (before Long COVID made that feel impossible), I thought Cora—a fat girl bullied for her weight, who only ever thought about her weight or her history of bullying—seemed tokenized, reduced to a didactic device rather than allowed to be a character in her own right.

Either McGuire has become more skilled at integrating the social message into her stories, or Cora, as the primary viewpoint character in Drowned Girls, finally has room to become something more. Strained and sleepless from the lingering effects of encountering the Drowned Gods in Come Tumbling Down, Cora begs to be transferred from the Home for Wayward Children to the Whitethorn Institute, a rival school for children who’ve gone through Doors.

Whitethorn is pretty much the worst place for a teen with Magical World PTSD to go. It’s a straightforward allegory for conversion therapy: a gray and rigid school of enforced conformity, where students are drilled to forget what’s real, adhere to one single way of being a person, and become the children their parents wanted. 

Tuesday, September 30, 2025

2025 read #74: Dinosaur Sanctuary: Volume 7 by Itaru Kinoshita.

Dinosaur Sanctuary: Volume 7 by Itaru Kinoshita
Research consultant: Shin-ichi Fujiwara
Translated by John Neal
193 pages
Published 2025 (English translation published 2025)
Read September 30
Rating: 3 out of 5

Goddamn, but it’s been a tumultuous six months since I read the previous volume of Dinosaur Sanctuary.

This time around, I’m keeping my expectations low. Sanctuary is light workplace drama first, dinosaur fiction a distant second. That’s as true as ever in this installment. Still, we do get some good dino zookeeper interactions, like when Suzume has difficulties feeding a blind Deinonychus named Trom, or when she has an unexpectedly busy day in the Psittacosaurus petting zoo.

I haven’t quite located the sense of charm I felt in the early volumes, but odds are that’s the fault of the world we live in right now. I had a nice time reading it all the same.

Thursday, September 25, 2025

2025 read #71: Raptoriva by Victoria Rivera.

Raptoriva by Victoria Rivera
472 pages
Published 2024
Read from September 23 to September 25
Rating: 2 out of 5

Years ago, after Jurassic World nudged a modest new dino fad back into the mainstream, I wondered: Where are the YA dinosaur novels? Sure, we got The Evolution of Claire. But where were the plucky, misunderstood teen heroines who shoot arrows into raptors and fret about which boy to kiss while they overthrow the tyrannical (or perhaps tyrannosaurical) government?

A couple months ago, I got a TikTok by this author promoting this book, and my questions were answered: Self-publishing. That’s where the YA dinosaurs went.

You know I just had to read it, out of professional courtesy (as a future self-publisher of dinosaur fiction) if nothing else.

As I’ve said before, I’m not in the habit of trashing self-published and indie press books. Honestly, as self-pub books go, Raptoriva is solid. There’s the occasional typo and malapropism, but Rivera’s prose is standard for YA romantasy, neither better nor worse than you’d expect. YA romantasy isn’t my genre, though, and my biggest dissatisfaction with this book—that it’s a drip-feed of tropes and archetypes instead of a novel—is the fault of a highly commercialized genre’s increasingly formulaic expectations. Blame capitalism, as with so many other ills in life.

Raptoriva is The Hunger Games meets Dinotopia. Misunderstood teen archer (Qora) and teen fighter with a secret princely past (Ninan) both volunteer for the Venture, a deadly ritual gauntlet with a significant prize at the end. Even though the setting lacks electronic technology, competitors are still expected to have reality TV-grade storylines. The Venture’s twists and turns are broadcast back to audiences in Runaqa’s cities via sketch artists and heralds. There’s even a tryouts scene where entrants have to prove themselves with a special talent.

I liked the Andean flavor Rivera gives her setting, but the extinct animals, jumbled together from all time periods and every region of the globe, are mostly just Latin names checked off in the background, rarely charismatic presences in their own right. Most of the action involves fighting with other contestants. The characters even have magic rocks that keep dinosaurs away. You could do a search-and-replace for most species, swapping them for horses and drakes and griffins and the like, and change basically nothing about the story.

The one dinosaur that has any screen time, a giant Spinosaurus, is straight out of Jurassic Park III. No research on the animal’s potential ecology or behavior, no updated depiction to follow more recent hypotheses, just pure unreconstructed movie monster from a quarter-century ago.

Still, I enjoyed Raptoriva enough that I’m open to keeping up with the series. We can only hope dinosaurs figure more into the sequels, as something more than their names.

Friday, September 19, 2025

2025 read #69: The Changeling Sea by Patricia A. McKillip.

The Changeling Sea by Patricia A. McKillip
137 pages
Published 1988
Read from September 18 to September 19
Rating: 3.5 out of 5

Unless you count The Forgotten Beasts of Eld, which was marketed as such, this is my first exposure to McKillip’s fiction for younger readers. Fifteen year old Peri has lost her father to the sea and her mother to grief. Her mentor, who taught her ineffectual hexes in a hut on the beach, has disappeared. Then a bedraggled prince and a sea-dragon on a golden chain show up in quick succession. Could there really be a strange country under the sea, like the one Peri’s mother daydreams about?

McKillip’s prose is perfect for a young adult novel from this era, communicating complex feelings with beautiful clarity, layers of loss and yearning and frustration, of having no world to return to. Peri and her island village are vivid presences from the first page.

Friday, September 12, 2025

2025 read #64: Across the Green Grass Fields by Seanan McGuire.

Across the Green Grass Fields by Seanan McGuire
174 pages
Published 2020
Read from September 6 to September 12
Rating: 3.5 out of 5

Another standalone entry in the Wayward Girls series, this one introduces us to Regan, a young girl who is desperate to conform and to correctly perform femininity, and the Doorway to the Hooflands, an equine realm of centaurs, kelpies, and unicorns.

I had wondered why this entry’s Goodreads rating was noticeably lower than the other books in the series. Spoilers: The answer arrives when Regan learns from her parents that she’s intersex, with XY chromosomes and androgen insensitivity. Representing any of humanity’s vast biological diversity in your book will inevitably result in review bombing. Some people have nothing better to do.

I doubt the folks wetting their pants about epigenetic representation even got far enough in the book to pick up on its themes of racism, conformity, and how putting ourselves into neat little boxes merely perpetuates a cycle of generational trauma. Spoilers again: At one point a group of shopkeepers kidnap Regan from her loving, accepting adopted family. One of the kidnappers tells Regan, “Surely a little slice of your freedom is a fair price to pay for knowing our families will never go hungry.” I’m sure the Goodreads crowd would be furious about that, if they got that far (and understood the rather blunt metaphor).

Do I think Fields is as good as the high point of the series, In an Absent Dream? Of course not; that’s the high point for a reason. But Fields is every bit as insightful and meaningful as the rest of the Wayward Girls, and rating it noticeably lower than the others says a lot about people who probably don’t even get the books in the first place.

Sunday, August 24, 2025

2025 read #55: Come Tumbling Down by Seanan McGuire.

Come Tumbling Down by Seanan McGuire
206 pages
Published 2019
Read from August 19 to August 24
Rating: 3 out of 5

After some standalone entries, McGuire’s fifth Wayward Children book continues the tale of Jack and Jill from Down Among the Sticks and Bones and Every Heart a Doorway.

It’s a bit of a step backward from the delicately crafted tragedy of In an Absent Dream. We’re back at the Home for Wayward Children, which means a crowd of YA protagonists squeezing into each scene to trade quippy dialogue and gum up the pacing. (There are three iterations of “You died!” / “I got better” punchlines.) Still, Down is an occasionally lovely book full of heart, compassion, and memorable imagery.

Reading a book from the first flush of contemporary queer liberation is a heavy reminder of how far backward we’ve slid in a mere six years. I miss the world of 2019, the impression that the arc of history would bend toward justice and freedom. I miss the way fantasy authors had begun to pepper their stories with progressive messages and wise asides. A perceptive line about how some would be eager to immiserate children in order to ensure the world never changes hits different now that such ghouls have gained control over so much of the world, and plan to entomb us all in a nightmare built from antebellum fantasies. 

Tuesday, June 17, 2025

2025 read #50: In an Absent Dream by Seanan McGuire.

In an Absent Dream by Seanan McGuire
204 pages
Published 2019
Read from June 11 to June 17
Rating: 4 out of 5

The last of McGuire’s Wayward Children series I read was Beneath the Sugar Sky, way back in 2018. Back then, I found the books solid but perhaps just a tiny bit unsatisfying. Enough years have passed that my reading tastes have shifted; is it time for a revisit?

Like Tori Bovalino’s Not Good for Maidens, Dream is a modern riff on Christina Rossetti’s Goblin Market. Young Katherine Lundy loves books, rules, logic, and staying inconspicuous. When she happens upon a doorway to the strange and rule-ordered Market, where every exchange demands a “fair price,” she finds herself increasingly at home, even if accruing too much debt means turning into a bird.

The Wayward Children books (particularly the first one) fit within the 2010s fad for telling what happens to the heroes after the story ends. This comes through in Dream, with McGuire eliding through the big adventures against the Wasp Queen and the Bone Wraiths in favor of seeing the effect the trauma and loss have on young Lundy afterward.

Either this volume clicked with my current sensibilities, or I’ve simply become less nitpicky with middle age. From the standard fantasy trope of fair bargains, McGuire opens doors onto complicated questions of what we as people owe each other, what love and belonging can offer us, and the cost they extract.

Tuesday, April 15, 2025

2025 read #37: Children of the Whales: Volume 8 by Abi Umeda.

Children of the Whales: Volume 8 by Abi Umeda
Translated by JN Productions
194 pages
Published 2016 (English translation 2019)
Read from April 14 to April 15
Rating: 3 out of 5

Here we are at my library’s last volume of Children of the Whales. Mostly I’ve read this series to shamelessly bulk up my book numbers, which is something I had said I would avoid doing this year. Ah well. At least it’s been enjoyable, even if it didn’t grab me the way Delicious in Dungeon or Witch Hat Atelier did.

When Umeda’s writing hits, it’s stunning. Emotional vulnerability, the importance of community, sacrifice to preserve said community, guilt and absolution, all powerful themes.

But a lot of that graceful mood of grief gets lost under the weight of Umeda’s worldbuilding. I’m just not invested enough for flashbacks to two or three generations previously. And every volume introduces new terms and concepts. It gets to feel like noise after a while. (Though I’m sure a lot of my attitude is modern day anhedonia. I mean, just look outside. The monsters are winning.)

Monday, April 14, 2025

2025 read #36: Children of the Whales: Volume 7 by Abi Umeda.

Children of the Whales: Volume 7 by Abi Umeda
Translated by JN Productions
194 pages
Published 2016 (English translation 2018)
Read from April 12 to April 14
Rating: 3 out of 5

It’s difficult to write reviews of long-running manga when I read them back to back like this. I’m still interested enough to read through this series (or at least what my library has of it), but it’s starting to feel like background noise. (Most of that feeling is due to the state of my country, though, to be fair.)

This volume has a grab-bag quality. Each chapter is its own little standalone story, all of them contributing to an ever more elaborate tower of worldbuilding and backstory. Which is fine, I suppose, but it’s a lot of worldbuilding and backstory, so very much. The last chapter is a short story, published by itself years before, that doesn’t seem to have anything to do with Children of the Whales aside from commentary on authoritarianism and Umeda’s fixation on jesters and large women.

In case you had any doubts about the series’ overarching point of view, we hop back to the original generation of exiles on Fálaina, who prove to be rebels against the totalitarian control of a government that sucks away its people’s emotions. Said government is the ancestor of the Apátheia pursuing the Mud Whale in the story’s present day.

Maybe that’s why I keep reading this series: it serves as a gentle, emotional refutation of the sociopathy of authoritarianism.

Saturday, April 12, 2025

2025 read #35: Children of the Whales: Volume 6 by Abi Umeda.

Children of the Whales: Volume 6 by Abi Umeda
Translated by JN Productions
192 pages
Published 2015 (English translation 2018)
Read April 12
Rating: 3 out of 5

After it is revealed that the nous of the Mud Whale consumes the lifespans of the marked in order to sustain itself on the sand sea, the unmarked decide to maintain the secret and steer the island toward a distant land, where perhaps they can abandon the Whale and extend the lives of those touched by magic. Along the way, this volume proceeds as a series of self-contained chapters, exploring strange locales and incidents of the voyage. But discontent brews among other factions on the island.

I should take a moment to praise the sumptuously detailed artwork Umeda uses to portray the use of magic or the empathic visions her characters experience. It’s absolutely gorgeous.

2025 read #34: Children of the Whales: Volume 5 by Abi Umeda.

Children of the Whales: Volume 5 by Abi Umeda
Translated by JN Productions
194 pages
Published 2015 (English translation 2018)
Read from April 11 to April 12
Rating: 3 out of 5

After the bloodshed, grief, and pathos of Volume 4, Volume 5 opens with a wacky episode of comic relief, as Sir Rochalízo, the first non-hostile outsider the people of the Mud Whale have ever seen, happens to arrive at bath time, and the mayor greets him in the buff. It’s giving beach episode.

Rochalízo ends up being a colonial-minded dickhead. But his presence inadvertently creates a significant change for the inhabitants of Fálaina, as the Mud Whale reveals the ability to steer itself. We also learn why the Whale’s marked — the people able to use the magic called thymia— die so young.

After the chaotic action of the last installment, it was nice to have more of a low-stakes hangout vibe. I still don’t know how deep I will read into the series, but for now, it’s an enjoyable way to pad out my book numbers.

Friday, April 11, 2025

2025 read #33: Children of the Whales: Volume 4 by Abi Umeda.

Children of the Whales: Volume 4 by Abi Umeda
Translated by JN Productions
193 pages
Published 2015 (English translation 2018)
Read April 11
Rating: 3 out of 5

It’s been about a month since I read Volume 3. Clearly that was enough time to leave me almost entirely lost when I picked up this installment. Umeda swerves between perspectives in a bloody action sequence as the apátheia, or harlequin soldiers, continue to raid the Mud Whale. Exposition gets doled out mid-battle. It’s difficult to make sense of it all.

The main vibe is one of intense, sometimes melodramatic emotion. Pretty much every character either dies in horrific, pointless violence, or survives to weep about them in the aftermath. It makes sense thematically. The central conflict is between the residents of the Mud Whale, who are free to feel their emotions, and the emotionally-drained apátheia, who view them with mingled disdain and disgust. The heightened emotional stakes are thus central to the story being told.

One could read any number of allegorical interpretations into this; in the contemporary world, it’s tempting to see it as empathetic, compassionate people hounded to the ends of the earth by the sociopathic adherents of patriarchal capitalism.

I think I’ll enjoy this series more if I read them closer together, and can keep better track of who any of these people are. I have four more volumes checked out from the library that I’ll likely use to pad out my reading numbers for this month. After that, our library doesn’t stock any of them, and I’m not sure if I’ll continue the series. It’s long, much longer than any other manga I’ve read.

Wednesday, March 19, 2025

2025 read #27: Dinosaur Sanctuary: Volume 6 by Itaru Kinoshita.

Dinosaur Sanctuary: Volume 6 by Itaru Kinoshita
Research consultant: Shin-ichi Fujiwara
Translated by John Neal
194 pages
Published 2024 (English translation published 2025)
Read from March 18 to March 19
Rating: 3 out of 5

Last time we visited Enoshima Dinoland, I was dealing with a family crisis, and was too depressed and demoralized to appreciate dinosaur theme park escapism. Since then, my country has lurched its way into full-blown fascism, and I’m probably too depressed and demoralized now to properly enjoy dinosaur theme park escapism.

In all honesty, I think the Dinosaur Sanctuary formula might be running out of juice, six volumes in. Which is impressive, considering the Jurassic Park franchise went downhill by book/movie number two. The mix of prehistoric zookeeping and light workplace drama remains charming, but each book is just more of the same, and at this point, even I, a lifelong dinosaur fanatic, am starting to feel satiated with this particular blend.

Part of my issue is with the characters. Even with the occasional dollop of backstory, the cast remains vaguely pleasant archetypes. I don’t feel more than a superficial connection to anyone beyond, perhaps, Suzume, our reader surrogate. It’s hard to invest in workplace drama without that attachment. And this volume felt especially light on dinosaurs, which only emphasizes how shallow the characters feel without them.

Friday, March 14, 2025

2025 read #25: Children of the Whales: Volume 3 by Abi Umeda.

Children of the Whales: Volume 3 by Abi Umeda
Translated by JN Productions
192 pages
Published 2014 (English translation published 2018)
Read March 14
Rating: 3 out of 5

Back at it again with Volume 3. (Hey, I checked out the first three tankōbon from my library, might as well speed right through them.) The Mud Whale safe for now from tampering, its residents spend this installment prepping and training against the return of the apátheia, or harlequin soldiers.

As so often seems to happen in these manga series (I’m looking at you, Frieren), Whales loosens up its tone and gravitas to indulge in more generic teen tropes, such as Lykos getting mobbed by some cool-girls we’ve never seen before in order to give her a makeover. It all absolutely makes sense in context, a sort of community bonding calm-before-the-storm to establish the characters and their home more fully.

All too soon comes the renewed attack from the enemy battleship Skyros. Much of this volume’s final third comprises battle sequences. Umeda’s artistic skill carries these sections. And of course the book ends in a cliffhanger, so I guess I’ll be off to the library at some point for the next few installments.

2025 read #24: Children of the Whales: Volume 2 by Abi Umeda.

Children of the Whales: Volume 2 by Abi Umeda
Translated by JN Productions
192 pages
Published 2014 (English translation published 2018)
Read March 14
Rating: 3 out of 5

Rolling right along into Volume 2. The first tankōbon ended with a sudden massacre at the hands of some sociopathic harlequin soldiers, which certainly is a vibe. The sentimental melancholy of the first couple chapters still shows through from time to time, especially in some lovely artwork in Chapter 7, “This World Is Beautiful Because…” However, much of this volume was action, as our heroes realize the elders would rather sink the Whale than face a return of the harlequins, and must gather allies and fight there way into the bowels of the island to stop the elders.

A theme has emerged of embracing and understanding one’s own emotions, in opposition to the emotionless husks warring across the outside world. This, plus the artwork, has kept me sufficiently interested to keep going.

2025 read #23: Children of the Whales: Volume 1 by Abi Umeda.

Children of the Whales: Volume 1 by Abi Umeda
Translated by JN Productions
193 pages
Published 2013 (English translation published 2017)
Read March 14
Rating: 3.5 out of 5

Still struggling to find manga that fills the Delicious in Dungeon / Witch Hat Atelier-shaped absence in my life, I happened upon this series in my library’s collection, and decided to give it a try.

Teenage Chakuro is the archivist for the people of the Mud Whale. Their entire society of some five hundred people scrounges a living on the back of the floating (possibly living) city, drifting through a seemingly boundless sea of sand that swallows anything else on its surface. Chakuro and his fellow Marked — users of emotion-fueled magic — live brief lives, rarely living beyond 30. The longer-lived Unmarked, who cannot wield magic, comprise the society’s leaders despite being much fewer in number. But the elders know more than they let on about the world beyond the Whale.

The worldbuilding is complex, and the pacing feels a bit off as a result, though Umeda never lets the exposition completely overwhelm the story. A melancholy urgency, an awareness of short lives and sudden death, suffuses Chakuro’s narration. Umeda’s artwork is gorgeous, particularly the establishing shots of the Mud Whale and the larger world around it.

Whales is no replacement for Delicious or Atelier, but it’s intriguing enough as its own thing.