Illustrated by Laurence Hausman (1890 edition)
51 pages
Published 1862
Read November 30
Rating: 3.5 out of 5
I found this narrative poem tucked in at the end of a hefty collection of Victorian fantasy titled Beyond the Looking Glass (1973). I’d never heard of it before. My partner R, however, tells me that Goblin Market was the inspiration for Tori Bovalino’s Not Good for Maidens, which they enjoyed.
The 1973 introduction sums it up, in questionable '70s fashion, as "probably the most extreme and most beautifully elaborated example of repressed eroticism in children's literature." There's nothing explicit in here, of course, but it isn't subtle, either:
She sucked and sucked and sucked the moreFruits which that unknown orchard bore;She sucked until her lips were sore;Then flung the empty rinds awayBut gathered up one kernal-stone,And knew not was it night or day
I'm skeptical that Market was actually intended for children. Much the way that contemporary fantasy by feminine writers (especially feminine writers of the global majority) is cordoned off into YA, my hunch is that any fantastical writing from a woman would have been packed off for the nursery by Victorian publishers. It seems, instead, that this narrative of frugivorous temptation was inspired by Rossetti's own experiences with erotic entanglement, and by her sister's support through the heartbreak. She wrote a "children's" poem, I think, because that was the market open to her.
I haven't much read much poetry from before the current century; rhyming couplets often feel too trite or precious. But Rossetti's language is unexpectedly hypnotic, breathing strange and perilous rhythms of sound throughout her tale.
Also mesmerizing: Laurence Hausman's art nouveau woodcuts that illustrate this edition. Fantastic stuff.
No comments:
Post a Comment